MISTRESS 13 by Frag Maddin
Tracklist
| 1. | 1312 | 6:47 |
| 2. | Reisefuehrer | 6:41 |
| 3. | Transmission X | 6:20 |
| 4. | Red Light District | 6:12 |
| 5. | Digital Bonus: Gotta Run | 6:28 |
Credits
released July 26, 2019
Frag Maddin about Mistress 13:
"Some people say that monotony will lead to an artist's dead end. But how can it be that in electronic music the perfect loop disproves this law? Isn't the negative connotation of monotony already the wrong premise? Our entire everyday life, however, varied it may be, is characterized by routines that provide a feeling of security and structure. But most of the time it's the small, unforeseen interruptions that make our monotony special in the first place.
That's the mindset I tried to integrate within my workflow as a producer chasing the perfect loop, which is why most of the tracks of the Mistress EP are the result of jam sessions. Those tracks reflect the fleeting moment when ideas flow in a merging of creativity and emotion without me overthinking every move. Later, when I finish the arrangements, I accept those small mistakes and glitches because they're not only somehow capture those magical moments but also counter the music's monotony with something intuitive."
Frag Maddin about Mistress 13:
"Some people say that monotony will lead to an artist's dead end. But how can it be that in electronic music the perfect loop disproves this law? Isn't the negative connotation of monotony already the wrong premise? Our entire everyday life, however, varied it may be, is characterized by routines that provide a feeling of security and structure. But most of the time it's the small, unforeseen interruptions that make our monotony special in the first place.
That's the mindset I tried to integrate within my workflow as a producer chasing the perfect loop, which is why most of the tracks of the Mistress EP are the result of jam sessions. Those tracks reflect the fleeting moment when ideas flow in a merging of creativity and emotion without me overthinking every move. Later, when I finish the arrangements, I accept those small mistakes and glitches because they're not only somehow capture those magical moments but also counter the music's monotony with something intuitive."
