Terminations & Errors by A L
Terminations & Errors is a self made project about television hijacking. Unlike the album "Interference From Beyond", the album will focus on being much more horrific, making the tracks sounds much more uncomfortable listen as the album progresses. The album will start off with serene lounge music to chaotic noise and corruptions. The album will contain 8 sections and 26 sides.
Section 1 (SIDE A+B):
This section is a haven of tranquility, where the music embodies a serene and peaceful atmosphere. The tracks are composed of gentle melodies and soft harmonies that evoke a sense of calm and relaxation, reminiscent of a perfect broadcast day with clear skies and a gentle breeze.
Section 2 (SIDE C+D):
As we transition into this section, the music begins to hint at something amiss. The once smooth melodies start to encounter subtle interferences, creating a slight sense of unease. The tracks incorporate mild disruptions, suggesting the first signs of an impending hijack.
Section 3 (SIDE E+F):
the music undergoes minor glitches and stuttering, as if the signal is struggling to maintain its integrity. The tracks feature rhythmic disruptions and unexpected pauses, reflecting the erratic behavior of a signal that’s slowly losing its interference against the encroaching corruption.
Section 4 Part 1 (SIDE G+H):
Section 4 Part 2 (SIDE I+J):
The corruption takes hold in this section, with music that is heavily distorted and warped. The tracks are a chaotic blend of sounds, symbolizing the hijacking’s peak as the original broadcast is overtaken by a malevolent force, distorting the intended message into something unrecognizable.
Section 5 (SIDE K+L+M+N):
In this section, the corruption intensifies, with severe audio deformities dominating the soundscape. The music is abrasive and jarring, filled with harsh static and aggressive distortions that signify a complete takeover of the broadcast.
Section 6 (SIDE O+P+Q+R):
The music here goes beyond mere corruption—it’s a terrifying cacophony of glitch noises and sinister soundscapes. Each track is scarier than the last, with an overwhelming sense of dread and chaos that makes the listener feel as if they're in the midst of a digital nightmare.
Section 7 (SIDE S+T+U+V):
This section is the climax of horror, with tracks that are rife with horrific glitch noises, audible screeching, and deafeningly loud distortions. It’s an auditory assault that represents the ultimate destruction of the original signal, leaving nothing but a terrifying echo in its wake.
Section 8 (SIDE W+X+Y+Z):
The aftermath of the hijacking is a desolate soundscape of abyssal noises and a pure, empty void filled with nothing but static. The tracks in this section are sparse and haunting, conveying the eerie silence that follows the storm—leaving nothing but a vacuum of a haunting hijack.
